December 31, 2009
Avatar: Reincarnating the Same Old Story
With a teenage son facinated by mythical creatures and scifi, the movie "Avatar" (starring Sam Worthington and Sigourney Weaver) was a holiday must-see for The Refugee Clan. Although the 3-D special effects were at times vivid, the movie itself was nothing more than yet-another-attack-on-the-military-and-capitalism.
The Refugee would normally post a "plot spoiler" warning at this point, but there really is no plot to spoil. Avatar is the revenge of the American Indian, Custer's Last Stand and "Dances with Wolves" all wrapped into one. In the movie, the US military-industrial complex (which are indistinquishable as entities) has colonized a remote planet for the purposes of mining "unattainium," which sells for $20 million per kilo on planet Earth. The indigenous peoples, who happen to have braided hair, ride winged horse-like steeds, shoot bows and arrows, have shamans and speak a language that sounds remarkably like Lakota, coincidentally reside over the largest deposit of unattainium on the planet. The "company" wants the military, a bunch of ex-Marine mercenaries, to move the people from their sacred, ancestral homeland at any cost. The blood-thirsty ex-Marine commander is only too happy to do so, especially if he can kill them all with "shock and awe." He is completely unconcerned about women and children being in the way. How the movie progresses is not worth relating. Suffice it to say that the evil capitalists are vanquished from the planet forever and the local people become one with the environment.
Avatar, as work of art, is bereft of value because it adds nothing to the discourse. It is, frankly, left-wing propaganda packaged to appeal to a young audience. While not denying nor condoning the sometimes horrific treatment suffered by Indians at the hands of the US government (e.g., the Sand Creek Massacre), The Refugee labels this movie as a loser. It is just another ad hominem attack on the US, our military, our history and capitalism-as-greed. Balance and perspective are irrelevant to the producers. The similes are cheesy (i.e., "unattainium), the story plotless and the characters completely predictable. That the producers would intentionally propagandize to young minds in this way is deplorable. The Refugee is unhappy to have patronized this endeavor to contribute to the profit that the producers so apparently abhor. Perhaps his experience can serve as a warning to others.Review Corner Posted by Boulder Refugee at December 31, 2009 3:36 PM